Book Type: Slow burn psychological thriller - lower on the shock value, more on creepy vibes
Recommended for: Mystery and suspense readers, thriller lovers, anyone wanting to experiment with psychological thrillers that don't give you heart attacks (but might give you anxiety, so.)
I’m still in my thriller era and binge reading crazy mysteries, so when I saw this Lisa Jewell mystery highlighted on the library shelf, I basically picked it up without reading the blurb because popular authors are popular for a reason, right? This one was entertaining with lovely, respectable writing, and I enjoyed reading this while I was able to take out a chunk of time and get through it all together. This is important, because if you read it in fragments and with gaps and have a fragile memory like mine, it may feel a bit frustrating due to the multiple POVs spanning different years. The frequency of the switches takes time to get used to, and in the beginning made it really hard to connect, feeling like nothing serious or mysterious is actually happening even though you’re already half way through the book.
It starts very well, someone dying and another unrelated mysterious man appearing out of nowhere, seemingly perfect, saying all the right things, knowing exactly what you want and bringing those to you. As a reader, you instantly know something is amiss, heightened by the mistrust one character develops and starts to investigate. The story then reads slow, going back and forth in different timelines and POVs, unrolling the weird history and sequence of events that seem widely unrelated but come together in the end. The “shock” or the mystery itself is not as alarming- it’s actually quite obvious right from the beginning, the story unfolding slowly with additions to the initial crime, adding depth and intensity gradually.
I definitely felt it was a slow burn kind of story, peppered with moments where I felt frustration from the absolute ridiculous manner the women/victims allowed this person into their lives and let him upend it, but I realized that was the point. These things happen, women become vulnerable and someone with enough brains and proclivity for selfishness can ruin it all with no remorse. The idea of a perfect husband and perfect life is so sought-after that nothing else seems to matter, red flags are missed, and women end up diminishing themselves to get that perfectly curated life. Despite the slowness and the frustrations, the book reads very well, I have to applaud the writing style. It is immaculate! It is what takes a normal story to a bestseller level - it makes you keep reading despite what you feel about the story, even making one feel sorry/pity for the criminal. And THAT, I attribute solely to good, strong writing.
The ending was indeed satisfying, the meaning clear, and the story felt well-rounded. The characters also were well-developed, from the now dead Paddy Swan, his wife Nina, their daughter Ash, the mysterious too-perfect Nick Radcliffe, and even the series of other women in Nick/whatever-his-name-is’ life. The things people do may feel frustrating, especially when Nick shows all the red flags but I suppose it is what it is. As mentioned before, it is a reflection of reality and the way vulnerable people (and even not so much, as in the case of Martha), can be easily swayed with mere promises and appearances. The themes of hidden identities, trust and deception shine all through this book.
I would definitely recommend this one to fans of good writing, thrillers and psychological suspense!
PS - Check out my review of The Family Upstairs, the first Lisa Jewell mystery I read.

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